Sizzla, along with reggae recording artists such as Capleton, Norris Man, Turbulence, Buju Banton, and Anthony B, are credited with leading a movement toward a re-embracement of Rastafarian values in contemporary reggae music by recording material which is concerned primarily with spirituality and social consciousness, explores common themes, such as Babylon's corrupting influence, the disenfranchisement of ghetto youth, oppression of the black nation and Sizzla's abiding faith in Jah and resistance against perceived agents of oppression.