Scott Walker (singer)

Noel Scott Engel (January 9, 1943 – March 22, 2019), better known by his stage name Scott Walker, was an American-British singer-songwriter and record producer who resided in England.

Noel Scott Engel was born on January 9, 1943, in Hamilton, Ohio, the son of Elizabeth Marie (Fortier), who was from Montreal, Quebec, Canada, and Noel Walter Engel.

His father was an oil industry manager whose work led the family to successive homes in Ohio, Texas, Colorado, and New York.

Engel was interested in both music and performance and spent time as a child actor and singer in the mid to late 1950s, including roles in two Broadway musicals, Pipe Dream and Plain and Fancy.

Championed by singer and TV host Eddie Fisher, he appeared several times on Fisher's TV program.

Engel cut some records including one named "Misery", which saw him briefly promoted as a teen idol.

Upon his arrival in Los Angeles, Engel had already changed both his taste and his direction.

Interested in the progressive jazz of Stan Kenton and Bill Evans, he was also a self-confessed "Continental suit-wearing natural enemy of the Californian surfer" and a fan of European cinema (in particular Ingmar Bergman, Federico Fellini, and Robert Bresson) and the Beat poets.

In between attending art school and furthering his interests in cinema and literature, Scott played bass guitar proficiently enough to get session work in Los Angeles as a teenager.

Engel and his mother settled in California in 1959.

Walker was known for his emotive voice and his unorthodox stylistic path which took him from being a teen pop icon in the 1960s to an avant-garde musician from the 1980s to his death.

Walker's success was largely in the United Kingdom, where he achieved fame as a member of pop trio the Walker Brothers, who scored several hit singles, including two number ones, during the mid-1960s, while his first four solo albums reached the top ten during the later part of the decade, with the second, Scott 2, reaching number one in 1968.

Walker's 1960s recordings were highly regarded by the 1980s UK underground music scene, and gained a cult following.

The Walkers' 1960s sound mixes Phil Spector's "wall of sound" techniques with symphonic orchestrations featuring Britain's top musicians and arrangers, notably Ivor Raymonde.

Scott served as effective co-producer of the band's records throughout this period, alongside their named producer Johnny Franz and engineer Peter Oliff.

In 1961, after playing with the Routers, he met guitarist and singer John Maus, who was using the stage name John Walker on a fake ID to enable him to perform in clubs while under age.

The two formed a band, Judy and the Gents, to back John Walker's sister Judy Maus, before joining other musicians to tour as The Surfaris (although they did not play on The Surfaris' records).

In early 1964, Engel and John Walker began working together as the Walker Brothers, later in the year linking up with drummer Gary Leeds whose father financed the trio's first trip to the UK.

As a trio, the Walker Brothers cultivated a glossy-haired and handsome familial image.

Prompted by Maus, each of the members took "Walker" as their stage surname.

Scott continued to use the name Walker thereafter, with the brief exception of returning to his birth name for the original release of his fifth solo album Scott 4, and in songwriting credits.

Initially, John served as guitarist and main lead singer of the trio, with Gary on drums and Scott playing bass guitar and mostly singing harmony vocals.

He lived in the UK from 1965 onward and became a UK citizen in 1970.

By early 1965, the group had made appearances on TV shows Hollywood A Go-Go and Shindig and had made initial recordings, but the start of their real success lay in the future and overseas.

While working as a session drummer, Leeds had recently toured the United Kingdom with P.J. Proby and persuaded both John and Scott to try their luck with him on the British pop scene.

The Walker Brothers arrived in London in early 1965.

Their first single, "Pretty Girls Everywhere" (with John Still as lead singer), failed to chart.

Their next single, "Love Her" – with Scott's deeper baritone in the lead – made the UK Top 20 and he became the group's main singer from this point on.

The Walker Brothers' next single, "Make It Easy on Yourself", a Bacharach/David ballad, went to No. 1 on the UK Singles Chart (No. 16 on the U.S. charts) on release in August 1965.

Between 1965 and 1967, the group released three albums, Take It Easy with the Walker Brothers (1965), Portrait (1966) and Images (1967), and two EPs, I Need You and Solo John/Solo Scott (both 1966).

After hitting again with "My Ship Is Coming In" (No. 3 UK), their second No. 1 (No. 13 U.S.), "The Sun Ain't Gonna Shine Any More", shot to the top in early 1966; shortly thereafter their fan club grew to contain more members than the official fan club of the Beatles.

Although this is no indication that their actual fan base was larger than that of the Beatles, the Walker Brothers—especially lead singer Scott—attained pop star status.

Following "The Sun Ain't Gonna Shine Anymore", the group's subsequent singles in 1966 were "(Baby) You Don't Have to Tell Me" (No. 13 UK), "Another Tear Falls" (No. 12 UK) and "Deadlier Than the Male" (No. 32 UK), the latter a co-write between Scott and Johnny Franz for the soundtrack of the film of the same name, while 1967 brought two more singles in "Stay With Me Baby" and "Walking in the Rain" (both of which reached No. 26 in the UK).

After the Walker Brothers split in 1967, he began a solo career with the album Scott later that year, moving toward an increasingly challenging style on late-1960s baroque pop albums such as Scott 3 and Scott 4 (both 1969).

Many of their earlier numbers had a driving beat, but with the release of their third album, Images, in 1967 ballads predominated.

After sales of his solo work started to decrease, he reunited with the Walker Brothers in the mid-1970s.

The reformed band achieved a top ten single with "No Regrets" in 1975, while their last album Nite Flights (1978) marked the beginning of Walker taking his music in a more avant-garde direction.

After a few years hiatus, Walker revived his solo career in the mid-1980s, progressing his work further towards the avant-garde; of this period in his career, The Guardian said "imagine Andy Williams reinventing himself as Stockhausen".

Walker continued to record until 2018.

He was described by the BBC upon his death as "one of the most enigmatic and influential figures in rock history".