Roberto Carlos (singer)

He is the fourth and last son of watchmaker Robertino Braga (March 27, 1896 – January 27, 1980) and seamstress Laura Moreira Braga (April 10, 1914 – April 17, 2010).

The family lived in a modest home on top of a hill in the Nook neighbourhood.

His siblings were Lauro Roberto Braga, Carlos Alberto Moreira Braga and Norminha.

At age 6, during the feast of St Peter, the patron saint of Cachoeiro do Itapemirim, Roberto Carlos was hit by a steam locomotive and had to have his right leg amputated just below his knee.

He still uses a prosthesis, but avoids talking about it.

As a child he learned to play the guitar and the piano – first with his mother and later at the Itapemirim Music Conservatory.

At 9 years old, he performed for the first time at a children's show broadcast by Rádio Cachoeiro (he sang a bolero called "Mal Amor").

He won candies as the first prize.

Years later, he recalled the occasion for the book Roberto Carlos Up Close, by Paulo Cesar de Araujo: "I was very nervous, yet very happy to be able to sing on the radio. I got a lot of candies, which was the prize for the kids who'd sing there. It was a beautiful day."

He became a regular performer on that particular show.

Roberto Carlos Braga (born April 19, 1941) is a Brazilian singer-songwriter, also known as "King of Latin Music" or simply "the King".

Most of his songs were written in partnership with his friend, singer and songwriter Erasmo Carlos (no relation).

Roberto Carlos has sold over 70 million albums around the world.

He is considered one of the most influential artists in Brazil, being cited as a source of inspiration by many artists and bands.

His net worth is estimated at US$160 million.

Childhood

Roberto Carlos Braga was born in Cachoeiro de Itapemirim, at the southern part of the Brazilian state of Espírito Santo.

Influenced by his idol Elvis Presley and the 1950s rock revolution, he rose to stardom as the main figure of the 1950s and 1960s musical movement known as Jovem Guarda (or Young Guard), which was a rip off from another TV Show.

From the same name "Jovem Guarda" was the first manifestation of the Brazilian pop rock movement.

Since then, Roberto Carlos has been called "O Rei" (the King).

When his first single and first LP (Louco por você, 1961) were commercial failures, Roberto Carlos was in danger of being fired from CBS in favor of Sérgio Murilo, the first successful rock singer in Brazil.

Nevertheless, Murilo was fired instead for clashing with musical director Evandro Ribeiro over repertoire and payment, opening up space for Roberto Carlos.

During his first decade of recording, Roberto Carlos also starred in a few motion pictures directed by Roberto Farias, many of them inspired by the Beatles movies.

Jovem Guarda

Roberto Carlos insisted on investing time in young music, rock, and in 1962 released Splish Splash.

With his friend Erasmo Carlos, Roberto recorded Portuguese versions of pop songs and wrote his own songs, such as "Parei Na Contramão" which became a hit.

The following year the singer was back on the charts with the album É Proibido Fumar, in which, besides the title track, the highlight was the song "O Calhambeque".

Thus was born the Jovem Guarda (TV Show).

Nationally known, Roberto Carlos began to host the Jovem Guarda TV program in 1965 at TV Record, along with Erasmo Carlos and Wanderléa.

The program further popularized the pop rock movement in Brazil and established the singer, who became one of the first idols of the young Brazilian culture.

Also in 1965, the albums Roberto Carlos Canta Para A Juventude – with hits "A Estoria do Homem Mau (Old Man Moses)," "Os Sete Cabeludos", "Eu Sou Fã Do Monoquini" and "Eu Não Quero Ver Você Triste" partnerships with Erasmo Carlos –and Jovem Guarda with the hits "Quero Que Vá Tudo Pro Inferno", "Lobo Mau", "O Feio" (Getúlio Cortes) and "Não É Papo Pra Mim" were released.

In 1966 Roberto Carlos presented the programs "Roberto Carlos à Noite", "Opus 7", "Jovem Guarda em Alta Tensão" e "Todos os Jovens do Mundo", at TV Record, all of them short-lived.

That year would be marked by a fight that nearly ended the partnership between him and Erasmo.

The reason for the split was a failure of production of the "Show in Si Monal ..."

TV Record, which paid homage to Erasmo.

The production was to present a pot-pourri of Erasmo's most famous compositions, including "Parei na Contramão" and "Quero Que Vá Tudo Pro Inferno".

The controversy was created because of these songs were composed in partnership with Roberto Carlos, but the credits were given only to Erasmo.

The two quarreled, and the partnership was suspended for more than one year.

During this period, Roberto wrote "We There Yet?"

and "Namoradinha de Um Amigo Meu" were released on the LP "Roberto Carlos" that year (the album still had the hits "Eu Te Darei O Céu", "Esqueça", "Negro Gato" (Getúlio Cortes) and "Nossa Canção" (Luiz Ayrão).