"There is a central conceit that I keep — not consciously, I swear! — returning to in my work. It takes different metaphorical guises, but at root it’s always the same sense of something grand and worthwhile being abandoned by vicious and stupid men in favour of short-term profit and tribal hegemony. You see it in the regressive politics of the Protectorate in the Kovacs novels, the way both the Yhelteth Empire and the — so-called — Free Cities fail their duty as civilisations in A Land Fit for Heroes. So also with Thin Air — the landscape is littered with the markers of a retreat from the grand scheme of terraforming and building a home for humanity on Mars, in favour of an ultraprofitable corporate stasis and an ongoing lie of highly emotive intangibles sold to the general populace in lieu of actual progress."