Rebecca Miller

Rebecca Augusta Miller, Lady Day-Lewis (born September 15, 1962) is an American filmmaker and novelist.

Her younger brother, Daniel, was born in 1966.

Her father was Jewish, whereas her mother was Protestant.

For a time during childhood, Miller practiced Catholicism on her own accord.

Her maternal grandparents themselves were Catholic converts to Protestantism.

She has said that she stopped thinking of herself as a Christian "somewhere at the end of college".

Miller remembered her childhood in Roxbury as being surrounded by artists.

Sculptor Alexander Calder was a neighbor; so were choreographer Martha Clarke and members of the experimental dance troupe Pilobolus.

Immersed in drawing, Miller was tutored by another neighbor, sculptor Philip Grausman.

Miller attended Choate Rosemary Hall.

In 1980, she entered Yale University to study painting and literature.

Naomi Wolf, the feminist author, was her roommate.

Upon graduation in 1985, Miller went abroad on a fellowship, to Munich, Germany.

In 1987, Miller took up residence in New York City, and she showed painting and sculpture at Leo Castelli Gallery, Victoria Munroe Gallery, and in Connecticut.

Miller also studied film at The New School.

Mentored by then 92-year-old professor Arnold S. Eagle, a photographer and cinematographer, Miller began making non-verbal films, which she exhibited along with her artwork.

In 1988, Miller was cast in the role of Anya in the Peter Brook's adaptation of Chekhov's The Cherry Orchard, her first stage role.

She originated the part of Lili in The American Plan.

Throughout, Miller gravitated toward her role as an independent filmmaker/director.

Miller began her acting career with directors Alan Pakula, Paul Mazursky, and Mike Nichols.

She played the female lead in NBC's television movie The Murder of Mary Phagan, and supporting roles in feature films, including Regarding Henry (1991), Consenting Adults (1992), and Wind (1992).

In 1991, Miller wrote and directed a short film Florence, starring actress Marcia Gay Harden, about a precociously empathetic woman who acquires the symptoms from others; eventually "catching" a neighbor's amnesia, she forgets her own identity.

Florence caught the attention of Ensemble Theatre Cincinnati, and Miller was invited to direct a revival of Arthur Miller's After the Fall.

She also directed Nicole Burdette's play The Bluebird Special Came Through Here.

Miller is a novelist, director, independent filmmaker, and advocate of women in the film industry.

She is known for her films Angela (1995), Personal Velocity: Three Portraits (2002), The Ballad of Jack and Rose (2005), The Private Lives of Pippa Lee (2009), and Maggie's Plan (2015), all of which she wrote and directed, as well as her novels The Private Lives of Pippa Lee and Jacob's Folly.

Miller received the Sundance Film Festival Grand Jury Prize for Personal Velocity and the Gotham Independent Film Award for Breakthrough Director for Angela.

Miller is the daughter of Arthur Miller, a Pulitzer Prize-winning playwright, and his third wife, Inge Morath, a Magnum photographer.

Miller was born in Roxbury, Connecticut, to Arthur Miller, the dramatist, and Austrian-born Inge Morath, a photographer.

Miller wrote and directed her first film, Angela, in 1995.

It is the story of 10-year-old Angela's attempt to purge her soul of sin in order to cure her mentally ill mother.

The film premiered at Philadelphia Festival of World Cinema, and screened at Sundance Film Festival.

For Angela, Miller received the Independent Feature Project's Open Palm Award, and the Sundance Film Festival Filmmaker Trophy from her peers.

The film's cinematographer Ellen Kuras was also honored at Sundance and the Brussels International Festival of Fantasy Film.

Miller's collection of prose portraits of women, Personal Velocity, was awarded The Washington Post Best Book of 2001.

Personal Velocity was adapted by Miller for her 2002 award-winning feature film by the same name.

She adapted three short stories into a screenplay of three different, although thematically unified short films, which Miller then directed.

Each film explores personal transformation in response to life-changing circumstances.

She was featured in the 2003 IFC Films documentary In The Company of Women, directed by Lesli Klainberg and Gini Reticker.

Miller created wooden panel triptychs she described as hybrids of pictographic forms inspired, for example, by Paul Klee and a 15th-century altarpiece.