(Begun on Hazelton's 29th birthday, the project used the first line of every 29th poem from The Complete Works of Emily Dickinson.) Reviewing the collection in The Emily Dickinson Journal, Christina Pugh said Hazelton's "handling of line is often astonishingly virtuosic, and [her] material is only 'personal' in the coyest and most mercurial of ways," noting that these qualities echo Dickinson's own body of work.