Roger Ebert of the Chicago Sun-Times was also impressed with Matlin, writing, "She holds her own against the powerhouse she's acting with, carrying scenes with a passion and almost painful fear of being rejected and hurt, which is really what her rebellion is about," and Paul Attasanio of The Washington Post said, "The most obvious challenge of the role is to communicate without speaking, but Matlin rises to it in the same way the stars of the silent era did -- she acts with her eyes, her gestures."