Killing of Meredith Hunter

Student

Birthday October 24, 1951

Birth Sign Scorpio

Birthplace Alameda County, California, U.S.

DEATH DATE 1969-12-6, Altamont, California, U.S. (18 years old)

Nationality United States

#27643 Most Popular

1951

Meredith Curly Hunter Jr. (October 24, 1951 – December 6, 1969) was an American man who was killed at the 1969 Altamont Free Concert.

During the performance by the Rolling Stones, Hunter approached the stage, and was driven off by members of the Hells Angels Motorcycle Club who were providing security and had agreed to prevent members of the audience from mounting the stage.

He subsequently returned to the stage area, drew a revolver, and was stabbed and beaten to death by Hells Angel Alan Passaro.

The incident was caught on camera and became a central scene in the Maysles Brothers documentary Gimme Shelter.

1971

Passaro was charged with murder and tried in 1971.

Following 17 days of testimony, an eight-man, four-woman jury deliberated for 12 and a half hours before Passaro was acquitted on grounds of self-defense.

Hunter was an 18-year-old from Berkeley, California, nicknamed "Murdock" and described by friends as a flashy dresser with a big Afro.

Hunter, his girlfriend Patty Bredehoft, Ronnie Brown (nicknamed "Blood"), and Brown's girlfriend Judy traveled from Berkeley to attend the Altamont Free Concert.

His sister Dixie warned him about the still prevalent racism in the outer reaches of Alameda County, which prompted Meredith to take a .22 Smith and Wesson revolver for protection.

The Hells Angels had agreed to prevent members of the audience from getting onto the stage, in exchange for $500 worth of beer.

They stood directly in front of the bands in an effort to keep people off the unusually low stage, which had been set up at the bottom of a low slope.

They parked several of their motorcycles in front of the stage to act "as a kind of bulwark against the crowd".

As the Hells Angels drank the beer and became intoxicated and the crowd became restless and unpredictable, the drunken Hells Angels began hurling full cans of beer from their stockpile and striking concertgoers with motorcycle chains and sawed-off, weighted pool cues to drive the crowd back from the stage and the Angels' motorcycles.

By the time the Rolling Stones took the stage in the early evening, the mood had taken a decidedly ugly turn, as numerous fights began to erupt between Angels and crowd members.

Denise Jewkes (née Kaufman) of local San Francisco rock band the Ace of Cups, six months pregnant at the time, was hit in the head by an empty beer bottle thrown from the crowd and suffered a skull fracture that warranted emergency surgery.

Lead singer Mick Jagger of the Rolling Stones (who had been punched by a concertgoer within seconds of emerging from the Stones' helicopter) urged the audience to "just be cool down in the front there, don't push around."

Within the first minute of the Stones' third song, "Sympathy for the Devil", a fight erupted in the front of the crowd at the foot of the stage.

After another appeal for calm, the band restarted the song and continued their set with fewer incidents until the start of "Under My Thumb".

At this point, Hunter climbed on top of a speaker box next to the stage, and two of the Hells Angels got into a scuffle with Hunter.

One of the Hells Angels grabbed Hunter's head, punched him, and chased him back into the crowd, where four Angels descended upon him.

After a few seconds, Hunter angrily returned to the front of the stage where, according to Gimme Shelter producer Porter Bibb, Hunter's girlfriend Patty Bredehoft found him and tearfully begged him to calm down and move farther back in the crowd with her.

By her report he was enraged, irrational and "so high he could barely walk".

Grateful Dead associate Rock Scully noticed Hunter in the crowd, concluding that “I saw what he was looking at, that he was crazy, he was on drugs, and that he had murderous intent.

There was no doubt in my mind that he intended to do terrible harm to Mick or somebody in the Rolling Stones, or somebody on that stage." Another witness reported Hunter as looking "pretty straight", though visibly upset about the violence inflicted upon him.

Footage from the documentary shows Hunter, easily identifiable in a lime-green suit, drawing what appears to be a long-barreled blue steel .22 caliber revolver from his jacket and pointing it in the air.

The film shows what might be an orange flash at the muzzle of the revolver in one frame.

However, because of the film's low fidelity, it is impossible to determine whether the flash is a gunshot, a reflection or a film defect.

The Angels did not report any discharged cartridges in Hunter's revolver.

The film then shows Hells Angel Alan Passaro, armed with a knife, running at Hunter from the side, parrying the gun with his left hand and stabbing him with his right.

Sources vary regarding which of the Maysles Brothers' camera operators shot the footage of the stabbing.

Albert Maysles attributed it to cameraman Baird Bryant, while other sources have also credited Eric Saarinen.

In the film sequence, lasting about two seconds, a 6 ft opening in the crowd appears, leaving Patty Bredehoft in the center.

Hunter enters the opening from the left, his hand rises and the silhouette of a revolver is clearly seen against Bredehoft's bright crocheted vest.

Passaro is seen entering from the right and delivering two stabs as he pushes Hunter off screen.

The opening closes around Bredehoft.

Passaro was reported to have stabbed Hunter five times in the upper back.

Witnesses also reported that Hunter was stomped on by several Hells Angels while he was on the ground.

The gun was recovered and turned over to police.

Hunter's autopsy later confirmed his girlfriend's report that he did have methamphetamine in his bloodstream at the time of his death.

Passaro was arrested and charged with murder for Hunter's death, but he was acquitted on grounds of self-defense after the jury viewed the footage from the concert showing Hunter drawing the revolver and pointing it toward the stage or in the air.