K. V. Anand

Karimanal Venkatesan Anand (30 October 1966 – 30 April 2021) was an Indian cinematographer, film director and photojournalist, worked mainly in the Tamil film industry.

Anand was born in Chennai, in the state of Tamil Nadu in India on 30 October 1966 to Karimanal Munuswamy Venkatesan and Anusuya Venkatesan.

His childhood days were spent in Pulicat.

He graduated with a bachelor's degree in Physics from DG Vaishnav College in June 1986,

followed by a master's degree in Visual Communications from Loyola College, Chennai.

During his college days Anand participated in annual trekking expeditions in the Himalayas.

His exploratory trips to various remote locations in India triggered his passion for photography.

Anand participated in inter-collegiate, state and national level photography contests.

His visual images earned him numerous photography awards.

Anand worked as a freelance photo journalist for leading newspapers and magazines such as Kalki, India Today, Illustrated Weekly, Aside and other national publications.

Within a short period of time, his photos were published in more than 200 magazine covers and had taken photos of 10 Chief Ministers in close quarters.

Anand continued to freelance in industrial photography, advertisements and cover pages for fictional Tamil novels.

Anand met cinematographer P. C. Sreeram and expressed his interest to work for him as an assistant.

He joined him, serving as an apprentice for Sreeram's film such as Gopura Vasalile, Amaran, Meera, Devar Magan and Thiruda Thiruda.

He had initially joined as the sixth assistant to Sreeram when Jeeva, another prominent figure in cinematography was the first assistant to Sreeram.

After a short period as a journalist, he became a cinematographer in the early 1990s, working on about fifteen films in the Southern and Hindi cinema industries.

Anand won the National Film Award for Best Cinematography for his debut film as a cinematographer, Thenmavin Kombath.

When director Priyadarshan had approached P. C. Sreeram to work on his Malayalam film, Thenmavin Kombath (1994), he was unavailable and thus recommended Anand to be given the opportunity.

The film received positive reviews and Anand won the National Film Award for Best Cinematography for his debut venture, with the award committee noting he showed "outstanding cinematography executed with sincerity, imagination and flexibility".

Anand's first Tamil film was the romantic drama Kadhal Desam (1996), which also won critical acclaim for showcasing Chennai in a futuristic mould.

He also then teamed up with director Shankar for the production of the political thriller Mudhalvan (2000), winning appreciation for his experimental camera ramping and the general grandeur.

Anand has wielded the camera for 14 films in languages including Tamil, Telugu, Malayalam and Hindi.

In 2005, Anand turned film director with the critically acclaimed Kana Kandaen.

He was a founding member of the Indian Society of Cinematographers (ISC).

Anand turned a film director with Kana Kandaen (2005), a thriller film starring Srikanth, Prithviraj and Gopika.

The film opened to favourable reviews from critics, with a reviewer from Rediff.com noting "Anand has succeeded in making an extremely watchable, highly thrilling film with a 'different' story".

His final work as a cinematographer came with Sivaji (2007), the Rajinikanth-starrer directed by Shankar, the most expensive Tamil film ever made at the time of release.

Despite the success of the film, Anand opted to return to cinematography to fulfil commitments for Rajinikanth's Sivaji (2007) directed by Shankar, which became the most expensive Tamil film ever made at the time.

Anand then collaborated with AVM Productions and Suriya in Ayan (2009), an action entertainer set on the backdrop of the Indo-African drug smuggling trade.

In order to prepare the script, Anand did a lot of research and is said to have spoken to a lot of custom officers to understand the modus operandi of smuggling.

The film opened in April 2009 to positive reviews, and became one of the year's highest-grossing Tamil language films.

A critic from Rediff.com called the film a "must-watch" adding "what gets you by surprise is the thread of logic that laces practically every encounter, and the way Anand's screenplay covers all the angles".

A reviewer from Sify.com stated "Anand pushes the commercial cinematic envelope and brings a savvy freshness in treatment and packaging hitherto unexplored in Ayan".

His third directorial venture, Ko (2011), narrated the tale of photojournalists caught up in a political corruption scandal.

Starring Jiiva, Ajmal Ameer, Karthika Nair and Piaa Bajpai, the film also received a positive from film critics and the box office.

A reviewer from The Hindu described the film as a "tale with a realistic twist" and mentioned that Anand "strikes gold with Ko".

The critic added "blending the commercial with the realistic is a challenge, but Anand proves adept at it."

Likewise, The Times of India noted "With Ko, director Anand gives notice of his immense talent once again, making a movie that is all set to lord over the box office this summer".

Anand worked with Suriya again in Maattrraan (2012), and was inspired to make the film after watching a documentary about the conjoined twins Chang and Eng Bunker.

While preparing the script, he worked closely with a team of doctors to ensure the medical condition of open-heart transplant, as shown in the film, could be showcased as realistically as possible.