Jorge Duílio Lima Menezes (born March 22, 1939) is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben.
Performing in a samba style that also explored soul, funk, rock and bossa nova sounds, Ben has recorded such well-known songs as "Chove Chuva", "Mas, que Nada!", "Ive Brussel" and "Balança Pema".
His music has been interpreted by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte.
1963
It was in 1963 at one of those clubs in which he performed that Jorge's musical career took off; he came on stage and sang "Mas, que Nada!"
to a small crowd that happened to include an executive from the recording company, Philips.
One week later, Jorge Ben's first single was released.
The hybrid rhythms that Jorge employed brought him some problems at the start of his career, when Brazilian music was split between the rockier sounds of the Jovem Guarda and traditional samba with its complex lyrics.
However, as that phase in Brazilian pop music history passed and bossa nova became better known throughout the world, Ben Rose to prominence.
Holdings both television programs O Fino da Bossa and Jovem Guarda from Rede Record, after being reprimanded by the production of "O Fino da Bossa", chose to participate in the Jovem Guarda, soon after, joined the program Divino, Maravilhoso from TV Tupi, presented by Caetano Veloso and Gilberto Gil.
Jorge Ben's first public appearances were in small festivals organised by his friends, where bossa nova and rock and roll predominated.
As with most musicians of the time, Ben was initially influenced by João Gilberto even though he was quite innovative in his own right.
Outside of Brazil, the song is better known in cover versions by Sérgio Mendes and the Tamba Trio.
The song has also been reinterpreted by prominent jazz artists including Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie and Al Jarreau; as well as other samba artists of the time, such as Elza Soares.
His musical work has been vastly sampled by music producers and DJs in a variety of genres such as jazz funk, disco, and acid jazz.
Ben composed song "Mas, que Nada!"
in 1963.
Ben's 1963 debut album Samba Esquema Novo was met with great acclaim from fans, and encouraged Philips to capitalize on the success with immediate follow-up albums.
The label pressured Ben to hastily record songs imitative of his debut, along with cover songs, resulting in the three albums within the span of 18 months and a strain on the singer's relationship with Philips.
1965
He left the label after his 1965 album Big Ben.
1969
Ben's broad-minded and original approach to samba led him through participation in some of Brazilian popular music's most important musical movements, such as bossa nova, Jovem Guarda, and Tropicália, with the latter period defined by his albums Jorge Ben (1969) and Fôrça Bruta (1970).
He has been called "the father of samba rock", by Billboard magazine.
According to American music critic Robert Christgau, Ben and his contemporary Gilberto Gil were "always ready to go further out on a beat than the other samba/bossa geniuses".
In 1969, Jorge Ben released his eponymous album amid the excitement of the cultural and musical Tropicália movement.
The album featured Trio Mocotó as his backing band, who would go on to launch a successful career on the back of their association with Ben.
The album was noted for "País Tropical", one of his most famous compositions, although it would be Wilson Simonal who would take his recording of the song to the top of the charts in Brazil that same year.
Instead, the song "Charles, Anjo 45", also from the self-titled album, would become Ben's biggest self-performed chart hit of the year.
1970
Jorge Ben released his most esoteric and experimental albums in the 1970s, most notably A Tábua de Esmeralda in 1974 and Solta o Pavão in 1975.
1972
Ben recorded "Taji Mahal" in 1972.
1976
The following year he released one of his most popular albums, África Brasil(1976), a fusion of funk and samba which relied more on the electric guitar than previous efforts.
This album also features a remake of his previously released song "Taj Mahal."
1979
With its commercial success and sustained radio play, the melody made its way into the 1979 hit "Da Ya Think I'm Sexy?" by Rod Stewart.
Ben sued for plagiarism and Stewart settled the lawsuit and donated the single’s royalties to UNICEF.
1980
Born Jorge Duílio Lima Menezes in Rio de Janeiro, he first took the stage name Jorge Ben after his mother's name (Sílvia Saint Ben Lima, Brazilian-born of Ethiopian origin) but in the 1980s changed it to Jorge Ben Jor (commonly written Benjor).
Jorge Ben obtained his first pandeiro (Brazil's most popular type of tambourine) when he was thirteen, and two years later, was singing in a church choir.
He also took part as a pandeiro player in the blocos of Carnaval, and from eighteen years of age, he began performing at parties and nightclubs with the guitar given to him by his mother.
He was given the nickname "Babulina" after his enthusiastic pronunciation of rockabilly singer Ronnie Self's song "Bop-A-Lena".
Was introduced to Tim Maia by Erasmo Carlos.
1989
In 1989, Jorge changed his recording label as well as his artistic name, becoming Jorge Benjor (or Jorge Ben Jor).
At the time, it was said that there were numerous reasons for his change in name; other sources say it was in response to an incident where some of his royalties accidentally went to American guitarist George Benson.
2002
In 2002, Jorge Ben contributed to the critically acclaimed Red Hot + Riot, a compilation CD created by the Red Hot Organization in tribute to the music and work of Nigerian musician Fela Kuti, which raised money for various charities devoted to raising AIDS awareness and fighting the disease.
