Explaining her main character's fascination with the Greek mythological figure of Medea, Ward told Elizabeth Hoover of The Paris Review: "It infuriates me that the work of white American writers can be universal and lay claim to classic texts, while black and female authors are ghetto-ized as 'other.' I wanted to align Esch with that classic text, with the universal figure of Medea, the antihero, to claim that tradition as part of my Western literary heritage. The stories I write are particular to my community and my people, which means the details are particular to our circumstances, but the larger story of the survivor, the savage, is essentially a universal, human one."