The Guardian's Sarah Hall describes the work: "'the narrative voice is irrefutable; this is old-fashioned storytelling, with a sermonic tone that commands and terrifies. It's also like courtroom reportage, sworn witness testimony. The sentences are short, truthful – and dreadful.... Absolutism is Winterson's forte, and it's the perfect mode to verify supernatural events when they occur. You're not asked to believe in magic. Magic exists. A severed head talks. A man is transmogrified into a hare. The story is stretched as tight as a rack, so the reader's disbelief is ruptured rather than suspended. And if doubt remains, the text's sensuality persuades.'"