James Burke (science historian)

Broadcaster

Birthday December 22, 1936

Birth Sign Capricorn

Birthplace Derry, Northern Ireland

Age 87 years old

Nationality Ireland

#37561 Most Popular

1936

James Burke (born 22 December 1936) is a broadcaster, science historian, author, and television producer.

1955

He was educated at North Borough Primary School, Maidstone then Maidstone Grammar School, and then served in the RAF from 1955 to 1957 before being accepted at Jesus College, Oxford, where he studied Middle English, obtaining both BA and MA degrees.

1961

Upon graduation, he moved to Italy, where at the British School in Bologna, he was lecturer in English and director of studies, 1961–1963.

He also lectured at the University of Urbino.

1963

Thereafter, he was headmaster of the English School in Rome, 1963–1965.

He was involved in the creation of an English–Italian dictionary, and the publication of an art encyclopedia.

1965

He was one of the main presenters of the BBC1 science series Tomorrow's World from 1965 to 1971 and created and presented the television series Connections (1978), and its more philosophical sequel The Day the Universe Changed (1985), about the history of science and technology.

The Washington Post has called him "one of the most intriguing minds in the Western world".

Burke was born in Derry, Northern Ireland.

1966

In 1966, he moved to London and joined the Science and Features Department of the BBC, for which he was host or co-host of several programmes.

He also worked as an instructor in English as a foreign language at the Regency Language School in Ramsgate.

Burke established his reputation as a reporter on the BBC1 science series Tomorrow's World, and went on to present The Burke Special.

1969

He was BBC television's science anchorman and chief reporter for the Apollo missions, as the main presenter of the BBC's coverage of the first Moon landing in 1969.

1973

In an article for the Radio Times in 1973, Burke predicted the widespread use of computers for business decisions, the creation of metadata banks of personal information, and changes in human behaviour, such as greater willingness to reveal personal information to strangers.

1978

In collaboration with Mick Jackson, he produced the 10-part documentary series Connections (1978), which was broadcast on the BBC, and subsequently on PBS in the United States.

Connections traced the historical relationships between invention and discovery; each episode chronicled a particular path of technological development.

Connections was the most-watched PBS television series up to that time.

Connections: An Alternative View of Change was broadcast in more than 50 countries and the companion book Connections: An Alternative History of Technology (1978) sold well.

1979

Burke's entry into television was explained by People magazine in 1979: "Television beckoned by chance one day on a Rome bus. Spotting an ad for a reporter for the local bureau of Britain's Granada Television, he says, 'I decided if the bus stopped at the next corner I would get off and apply for the job.' It did, he did, and the next thing he knew 'we went straight off to Sicily to do a series on the Mafia.'"

1980

In 1980, Burke created and Jackson produced the six-part BBC series The Real Thing, about perception.

1985

In 1985, Burke, with Richard Reisz and John Lynch, produced the 10-part television series The Day the Universe Changed (revised 1995), focusing on the philosophical aspects of scientific change in Western culture.

Burke has been a regular writer for Scientific American and Time, and a consultant to the SETI project.

Burke received the gold and the silver medals of the Royal Television Society.

1994

It was followed by the 20-part Connections2 (1994) and the 10-part Connections3 (1997).

1998

In 1998, he was made an honorary fellow of the Society for Technical Communication.

2008

Burke has contributed to podcasts, such as in 2008, when he appeared on Hardcore History with Dan Carlin, and in 2016 on Common Sense, again with Carlin, and to newspaper articles including two series for the Mogollon Connection by Jesse Horn, one focusing on the nature of morality, the other on the future of our youth.

2013

In an interview on the PM programme on BBC Radio 4 on 30 August 2013, Burke discussed his predictions of a post-scarcity economy driven by advances in nanofactories, which he believes may be viable by 2043.

Burke posed at least one of his predictions as a question.

In Connections, he notes that the increase in connections over time causes the rate of innovation to accelerate, and asks what happens when this rate, or more importantly "change" itself, becomes too much for the average person to handle.

He also questions what this would mean for individual power, liberty, and privacy.

In the conclusion of Connections, Burke said that computing and communications might be controlled by a computer science élite.

Later, he suggested at the conclusion of The Day the Universe Changed that a worldwide revolution in communications and computer technology would allow people to instantaneously exchange ideas and opinions.

Television series and documentaries by Burke:

2017

Burke presented a monologue, "James Burke on the End of Scarcity", first broadcast on BBC Radio 4 on 26 December 2017, in which he predicted nanotech manufacturing would revolutionize the world economy and society.

He has been writing his current book, Culture of Scarcity, since 2017.

2019

In 2019, he produced a series of five 15-minute programmes for BBC Radio 4 with the title James Burke's Web of Knowledge, in each of which he traced the connections between two widely separated people or themes; the first programme connected Mozart to the helicopter.

2020

In a May 2020 interview, Burke said that he was writing a new Connections book.

In 2023, his new series Connections with James Burke premiered on Curiosity Stream.

Burke is the leading figure in the development of the Knowledge Web, the planned digital realization of his books and television programmes, which would allow the user to travel through history and create his or her own connections.

Eventually, the project may feature immersive virtual-reality historical recreations of people, places, and events.