Genesis P-Orridge

Muriel was from Salford and had first met Ronald after he returned to England after being injured with the British Army at the Battle of Dunkirk in 1940.

As a child, they had a good relationship with their parents, who did not interfere with their artistic interests.

Due to Ronald's job, the family moved to Essex, where they attended Staples Road Infant School in Loughton, and for a time lived in a caravan near to Epping Forest while the family house was being completed.

The family then moved from Essex to Cheshire, where they attended Gatley Primary School.

Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February 1950 – 14 March 2020) was an English singer-songwriter, musician, poet, performance artist, visual artist, and occultist who rose to notoriety as the founder of the COUM Transmissions artistic collective and lead vocalist of seminal industrial band Throbbing Gristle.

They were also a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental pop rock band Psychic TV.

Born in Manchester, P-Orridge developed an early interest in art, occultism, and the avant-garde while at Solihull School.

After dropping out of studies at the University of Hull, they moved into a counter-cultural commune in London and adopted Genesis P-Orridge as their pseudonym.

Genesis P-Orridge was born on 22 February 1950 in Victoria Park, Manchester, to Ronald and Muriel Megson.

Ronald was a travelling salesman who had worked in repertory theatre and who played the drums in local jazz and dance bands.

Passing the 11-plus exam, they won a scholarship to attend Stockport Grammar School, doing so between 1961 and 1964.

Worm was influenced by AMM and John Cage's 1961 book Silence: Lectures and Writings.

After their father became the Midlands area manager of a cleaning and maintenance business, they were sent to the privately run Solihull School in Warwickshire between 1964 and 1968; a period they would refer to as "basically four years of being mentally and physically tortured", but also a time when they developed an interest in art, occultism and the avant-garde.

At age fifteen, they became a fan of "The Hundred Headless Woman," a book that contained surrealist collages by various artists, including Max Ernst.

The book became an early source of inspiration, and it was at that time that they took on the name "P-Orridge."

Unpopular with other pupils, they were bullied at the school, finding comfort in the art department at lunch-time and in the evenings.

They befriended Ian "Spydeee" Evetts, Barry "Little Baz" Hermon and Paul Wolfson, three fellow pupils who shared their interest in art, literature, and poetry.

They regularly discussed books and music, developing an interest in the writings of Aleister Crowley, William S. Burroughs, Jack Kerouac and Allen Ginsberg and the music of Frank Zappa, the Fugs and the Velvet Underground.

They became interested in occultism, and also asserted that their grandmother was a medium.

In 1966, P-Orridge, Evetts, Hermon, Wolfson, and Winstanley began production of an underground magazine, entitled Conscience.

Forbidden from selling it on school grounds, they sold copies outside the school gates.

Included in Conscience were various articles criticising the school's administration, leading to proposed changes regarding such issues as school uniforms and prefects (known as benchers) privileges.

That same year, influenced by newspaper accounts of "Swinging London", they organised the first happening at the school, doing so under the auspices of organising a school dance.

In 1967, P-Orridge founded their first collective, Worm, with school friends Pingle Wad (Peter Winstanley), Spydeee Gasmantell (Ian Evetts) and P-Orridge's girlfriend Jane Ray.

On returning to Hull, they founded COUM Transmissions with Cosey Fanni Tutti, and in 1973 they relocated to London.

COUM's confrontational performance work, dealing with such subjects as sex work, pornography, serial killers, and occultism, represented a concerted attempt to challenge societal norms and attracted the attention of the national press.

P-Orridge's band, Throbbing Gristle, grew out of COUM, and were active from 1975 to 1981 as pioneers in the industrial music genre.

COUM's 1976 Prostitution show at London's Institute of Contemporary Arts was particularly vilified by tabloids, gaining them the moniker of the "wreckers of civilisation."

In 1981, P-Orridge co-founded Psychic TV, an experimental band that from 1988 onward came under the increasing influence of acid house.

In 1981, P-Orridge co-founded Thee Temple ov Psychick Youth, an informal occult order influenced by chaos magic and experimental music.

P-Orridge was seen as the group's leader, but rejected that position, and left the group in 1991.

Amid the Satanic ritual abuse hysteria, a 1992 Channel 4 documentary accused P-Orridge of sexually abusing children, resulting in a police investigation.

P-Orridge was subsequently cleared and Channel 4 retracted their allegation.

As a result of the incident, P-Orridge left the United Kingdom for the United States and settled in New York City.

There, they married Jacqueline Breyer, later known as Lady Jaye, in 1995, and together they embarked on the Pandrogeny Project, an attempt to unite as a "pandrogyne", or single entity, through the use of surgical body modification to physically resemble one another.

Although involved in reunions of both Throbbing Gristle and Psychic TV in the 2000s, they retired from music to focus on other artistic media in 2009.

P-Orridge was credited on over 200 releases during their lifetime.

They were cited as an icon within the avant-garde art scene, accrued a cult following, and had been given the moniker of the "Godparent of Industrial Music".

P-Orridge used gender-neutral pronouns.

P-Orridge continued with this project of body modification after Lady Jaye's 2007 death.