The New York Times called the evidence produced by Biggie's family "inconclusive", noting:"The pages purport to be three computer printouts from Daddy's House, indicating that Wallace was in the studio recording a song called Nasty Boy on the afternoon Shakur was shot. They indicate that Wallace wrote half the session, was In and out/sat around and laid down a ref, shorthand for a reference vocal, the equivalent of a first take. But nothing indicates when the documents were created. And Louis Alfred, the recording engineer listed on the sheets, said in an interview that he remembered recording the song with Wallace in a late-night session, not during the day. He could not recall the date of the session but said it was likely not the night Shakur was shot. We would have heard about it, Mr. Alfred said."Assistant managing editor of the Los Angeles Times Mark Duvoisin defended Philips' articles, stating they were based on police affidavits and court documents as well as interviews with investigators, witnesses to the crime and members of the South Side Crips.