Dewey Martin (musician)

Dewey Martin (born Walter Milton Dwayne Midkiff, September 30, 1940 – January 31, 2009 ) was a Canadian rock drummer, best known for his work with Buffalo Springfield, for which he was inducted into the Rock and Roll Hall of Fame in 1997.

Dewey Martin was born in Chesterville, Ontario, Canada in 1940.

He was raised there and in the surrounding Smiths Falls, Ontario and Ottawa, Ontario areas.

In Ottawa, he attended Glebe Collegiate Institute, where he was elected "head boy".

Martin started playing drums when he was about 13 years old.

His first band was a high school outfit, The Jive Rockets, which also featured guitarist Vern Craig, later a member of the Staccatos.

He soon progressed and played with various dance and rockabilly groups in the Ottawa Valley area, including Bernie Early & the Early Birds.

Through rock and roll singer Andy Wilson, a veteran of the Ottawa-area scene, he was allowed a short guest appearance singing "Whole Lotta Shakin' Going On" backed by Wilson's group, Larry Lee and the Leesures, during the Leesures' appearance as part of a package rock & roll show in Ottawa in the early 1960s.

A Nashville producer was sufficiently impressed and agreed to record him in Nashville.

Interrupted by a brief stint in the U.S. Army, Martin's next couple of years were based out of Nashville, where he worked as a freelance (some say itinerant) drummer for many Country music legendary artists including Carl Perkins, The Everly Brothers, Patsy Cline, Charlie Rich, Faron Young and Roy Orbison, among others.

In 1963, he travelled to Las Vegas with Faron Young's band and then to Los Angeles, California, where he was later quoted as having said he loved the climate and decided to stay.

However, various tours also took him out of town "on the road."

Through Mel Taylor of The Ventures, Martin began working in the Pacific Northwest with a group called Lucky Lee & The Blue Diamonds.

In November 1964, he used some local musicians to record his first single, a cover of "White Cliffs of Dover" backed by the band original, "Somethin' or Other" for A&M Records, which was released under the guise Sir Raleigh & The Cupons.

During 1965 Sir Raleigh & The Cupons released two more singles on A&M – "While I Wait" c/w "Somethin' or Other" and "Tomorrow's Gonna Be Another Day" c/w "Whitcomb Street" and a single for Tower – "Tell Her Tonight" c/w "If You Need Me."

During this period Martin returned to Los Angeles and picked up local group the Sons of Adam to support him as a permanent outfit back in the Northwest.

The new line up opened for The Beach Boys and Herman's Hermits during this period.

Back in Los Angeles in late 1965 Martin spent a few months with The Standells when drummer/singer Dick Dodd left.

Martin also recorded a final single for Tower – "I Don't Want to Cry" c/w "Always," which was released in February 1966.

When Dodd returned in February 1966, Martin briefly joined The Modern Folk Quartet before touring and recording a demo with The Dillards.

During late March/early April, Martin was working with The Dillards at the Ice House in Pasadena when Doug Dillard told him that his services were no longer needed and gave him a telephone number for a new group that needed a drummer.

The band was Buffalo Springfield.

Martin became the last member to join the legendary group at its founding.

Along with Stephen Stills and Richie Furay, he was one of only three musicians to stay with the group from its inception in April 1966 to its disbandment on May 5, 1968.

During his time with the group Martin also did session work for The Monkees.

In concert he sang covers of Wilson Pickett's "In The Midnight Hour" and Richie Furay's "Nobody's Fool" and "Good Time Boy."

The latter appeared on the band's second album, Buffalo Springfield Again. He also sang Neil Young's "Mr. Soul" as the introduction to Young's "Broken Arrow" on the same album.

Martin also sang backing vocals on the band's biggest hit, Stephen Stills's classic political rock anthem "For What It's Worth."

When the original band broke up Martin formed a new version in September 1968.

Dubbed "New Buffalo Springfield", the lineup comprised guitarists Dave Price (Davy Jones' stand-in in The Monkees) and Gary Rowles (son of jazz pianist Jimmy Rowles); bass player Bob Apperson; drummer Don Poncher; and horn player Jim Price, who later became a top session musician for The Rolling Stones and Joe Cocker among others.

The new band toured extensively and appeared at the highly publicised "Holiday Rock Festival" in San Francisco on December 25–26 but soon ran afoul of Stephen Stills and Neil Young who took legal action to prevent Martin from using the band's name.

In February 1969, Martin and Dave Price formed a second version of New Buffalo Springfield with guitarist Bob "BJ" Jones and bass player Randy Fuller, brother of Bobby Fuller.

The band did some tentative recordings with producer Tom Dowd overseeing but they were scrapped.

They performed live at the Easter Rock Festival in Fort Lauderdale, FL on April 1 of 1969.

The second line up was expanded with another guitarist Joey Newman in June 1969, but two months later Martin was fired and the remaining members carried on as Blue Mountain Eagle.

In September 1969 Martin signed a solo deal with Uni Records and recorded a cover of the country favourite, "Jambalaya" with session ace and TCB Band member James Burton on guitar.

It was released as a single with Martin's own composition "Ala-Bam" on the b-side.

He then briefly worked on some new material with guitarist John Noreen from the folk-rock group, Rose Garden but by December the pair had split.

Martin next put together a new group called Medicine Ball, which featured mainstays, guitarist Billy Darnell and pianist Pete Bradstreet, who later recorded with the band Electric Range.

In 1980, Picc-A-Dilly/First American label pulled together most of The Sir Raleigh & The Cupons material for the Dewey Martin album, "One Buffalo Heard."