C. J. Cherryh

Author

Birthday September 1, 1942

Birth Sign Virgo

Birthplace St. Louis, Missouri, U.S.

Age 81 years old

Nationality United States

#56889 Most Popular

1942

Carolyn Janice Cherry (born September 1, 1942), better known by the pen name C. J. Cherryh, is an American writer of speculative fiction.

Cherryh was born in 1942 in St. Louis, Missouri and raised primarily in Lawton, Oklahoma.

She began writing stories at the age of ten when she became frustrated with the cancellation of her favorite TV show, Flash Gordon.

1964

In 1964, she received a Bachelor of Arts degree in Latin from the University of Oklahoma (Phi Beta Kappa), with academic specializations in archaeology, mythology, and the history of engineering.

1965

In 1965, she received a Master of Arts degree in classics from Johns Hopkins University in Baltimore, Maryland, where she was a Woodrow Wilson fellow.

After graduation, Cherryh taught Latin, Ancient Greek, the classics, and ancient history at John Marshall High School in the Oklahoma City public school system.

While her job was teaching Latin, her passion was the history, religion, and culture of Rome and Ancient Greece.

During the summers, she would conduct student tours of the ancient ruins in England, France, Spain, and Italy.

In her spare time, she would write, using the mythology of Rome and Greece as plots for her stories of the future.

Cherryh did not follow the professional path typical of science fiction writers at the time, which was to first publish short stories in science fiction and fantasy magazines and then progress to novels; she did not consider writing short stories until she had had several novels published.

Cherryh wrote novels in her spare time away from teaching and submitted these manuscripts directly for publication.

Initially, she met with little success; various publishers lost manuscripts she had submitted.

She was thus forced to retype them from her own carbon copies, time-consuming but cheaper than paying for photocopying.

(Using carbon paper to make at least one copy of a manuscript was standard practice until the advent of the personal computer.)

1970

She has written more than 80 books since the mid-1970s, including the Hugo Award–winning novels Downbelow Station (1981) and Cyteen (1988), both set in her Alliance–Union universe, and her Foreigner series.

She is known for worldbuilding, depicting fictional realms with great realism supported by vast research in history, language, psychology, and archeology.

Cherryh (pronounced "Cherry") appended a silent "h" to her real name because her first editor, Donald A. Wollheim, felt that "Cherry" sounded too much like a romance writer.

She used only her initials, C. J., to disguise that she was female at a time when the majority of science fiction authors were male.

The author has an asteroid, 77185 Cherryh, named after her.

Referring to this honor, the asteroid's discoverers wrote of Cherryh: "She has challenged us to be worthy of the stars by imagining how mankind might grow to live among them."

She published six additional novels in the late 1970s.

1975

Cherryh's breakthrough came in 1975 when Donald A. Wollheim purchased the two manuscripts she had submitted to DAW Books, Gate of Ivrel and Brothers of Earth.

About the former, Cherryh stated in an interview on Amazing Stories:

"It was the first time a book really found an ending and really worked, because I had made contact with Don Wollheim at DAW, found him interested, and was able to write for a specific editor whose body of work and type of story I knew. It was a good match. It was a set of characters I'd invented when I was, oh, about thirteen. So it was an old favorite of my untold stories, and ended up being the first in print."

1976

The two novels were published in 1976, Gate of Ivrel preceding Brothers of Earth by several months (although she had completed and submitted Brothers of Earth first).

1977

The books won her immediate recognition and the John W. Campbell Award for Best New Writer in 1977.

Although not all of her works have been published by DAW Books, during this early period Cherryh developed a strong relationship with the Wollheim family and their publishing company, frequently travelling to New York City and staying with the Wollheims in their Queens family home.

Other companies who have published her novels include Baen Books, HarperCollins, Warner Books, and Random House (under its Del Rey Books imprint).

1979

In 1979, her short story "Cassandra" won the Best Short Story Hugo, and she quit teaching to write full-time.

1982

She has since won the Hugo Award for Best Novel twice, first for Downbelow Station in 1982 and then again for Cyteen in 1989.

In addition to developing her own fictional universes, Cherryh has contributed to several shared world anthologies, including Thieves' World, Heroes in Hell, Elfquest, Witch World, Magic in Ithkar, and the Merovingen Nights series, which she edited.

Her writing has encompassed a variety of science fiction and fantasy subgenres and includes a few short works of non-fiction.

Her books have been translated into Czech, Dutch, French, German, Hebrew, Hungarian, Italian, Japanese, Latvian, Lithuanian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, and Swedish.

She has also translated several published works of fiction from French into English.

She now lives near Spokane, Washington with her wife, the science fiction/fantasy author and artist Jane Fancher.

She enjoys skating and travelling and regularly makes appearances at science fiction conventions.

Her brother David A. Cherry is a science fiction and fantasy artist.

Cherryh uses a writing technique she has variously labeled "very tight limited third person", "intense third person", and "intense internal" voice.

In this approach, the only things the writer narrates are those that the viewpoint character specifically notices or thinks about.

The narration may not mention important features of the environment or situation with which the character is already familiar, even though these things might be of interest to the reader, because the character does not think about them owing to their familiarity.