The performance was released in 2019; reviewing the album for Pitchfork, Jayson Greene wrote: "Part of the tension comes from hearing her untrained voice scale these rocky heights. Her vibrato, tight and trilling and barely controlled, sounds an awful lot like someone fighting off a panic attack. This would get her dismissed from a traditional opera audition, probably, but it is magnificently effective at sending raw shudders through what can be a pretty well-worn work."