Anne Pasternak

Anne Pasternak (born 1964) is a curator and museum director.

She is the current Shelby White and Leon Levy Director of the Brooklyn Museum.

Pasternak was born in Baltimore and received her undergraduate degree in Art History and Business Management from the University of Massachusetts, Amherst.

She went on to take graduate courses at Hunter College but left without taking a degree.

Pasternak has been awarded honorary doctorates from Pratt Institute and Hunter College

Pasternak's career began with an internship turned directorship at the Stux Gallery in Boston in the 1980s.

She then served as Curator at Real Art Ways, an arts nonprofit in Hartford, Connecticut.

She curated public art projects with such now acclaimed artists as Mel Chin and Mark Dion as well as the groundbreaking exhibition "Hip Hop Nation".

In 1993 Anne Pasternak left Real Art Ways and became the executive director of Creative Time.

There she curated and organized numerous exhibitions, events, discussions, and public art projects including the annual "Tribute In Light" memorial honoring the lives lost on September 11, 2001; Paul Chan's Waiting for Godot in Post-Katrina New Orleans, and Kara Walker's A Subtlety in Brooklyn's Domino Sugar Factory in the Williamsburg neighborhood.

In 2015, Pasternak left Creative Time and replaced Arnold L. Lehman as the director of the Brooklyn Museum.

Pasternak's directorship at the Brooklyn Museum marks the first time a woman has kept a directing role in an encyclopedic New York museum.

As a former director of a public art organization, this new position represents a shift in her career from a broader public sphere into the architecture of a museum.

Her portrait is included in the series of Female Museum Art Director by artist Amy Chaiklin.

In 2015, Pasternak left Creative Time and replaced Arnold L. Lehman as the director of the Brooklyn Museum.

Pasternak's directorship at the Brooklyn Museum marks the first time a woman has kept a directing role in an encyclopedic New York museum.

As a former director of a public art organization, this new position represents a shift in her career from a broader public sphere into the architecture of a museum.

In October 2019, the museum has deaccessioned a Francis Bacon painting through a Sotheby's auction.

During his lifetime, Bacon wrote the museum that “It was a throw-out and it depresses me […] that it has years later found its way onto the art market and I would prefer if it were not exhibited.” At this time, the museum was still running on a multi-million dollar deficit.