A. O. Scott

When asked to name the best of 21st century, Scott listed along with Manohla Dargis:

Since becoming a film critic, Scott has named these films the best of the year:

Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism.

Scott was born on July 10, 1966, in Northampton, Massachusetts.

Both of his parents were professors.

His mother, Joan Wallach Scott, is the Harold F. Linder Professor at the School of Social Science in the Institute for Advanced Study in Princeton, New Jersey.

His father, Donald Scott, was a professor of American history at the City University of New York.

He is a great nephew of the married acting couple Eli Wallach and Anne Jackson (his maternal grandfather was Eli's brother).

Scott identifies as Jewish.

He attended public schools in Providence, Rhode Island, including Classical High School before graduating magna cum laude from Harvard in 1988 with a degree in literature.

Scott began his career at The New York Review of Books, where he served as an assistant to Robert B. Silvers.

Scott then served as book critic for Newsday, while also serving as a contributor to The New York Review of Books and Slate.

In 1993, he wrote television reviews for Variety, using the name Tony Scott.

After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.

In 2023, he moved to The New York Times Book Review.

He joined The New York Times Arts section in January 2000, following Janet Maslin's retirement from film criticism.

• 2000 - Yi Yi

• 2001 – A.I. Artificial Intelligence

Between 2002 and 2014, Scott made 15 appearances on Charlie Rose, where he predicted the Academy Award winners and spoke about recently released films.

He often appeared alongside David Denby of The New Yorker and Janet Maslin of The New York Times and guest-hosted the program on a number of occasions.

• 2002 – Talk to Her

• 2003 – Master and Commander: The Far Side of the World

(Maslin continues to review genre fiction for the paper.) In 2004, he became chief critic, following Elvis Mitchell's resignation.

Scott and the other film critics at the Times host a video podcast on the subject of film, called Critics' Picks.

• 2004 – Million Dollar Baby

• 2005 – The Best of Youth

In 2006 and 2007, Scott served as a guest critic on Ebert & Roeper during Roger Ebert's absence due to thyroid cancer.

• 2006 – Letters from Iwo Jima

On August 5, 2009, it was announced that Scott, along with Chicago Tribune critic Michael Phillips, would take over hosting duties on At the Movies from Ben Lyons and Ben Mankiewicz, who would no longer be involved with the show.

Scott and Phillips began their duties when the show started its new season on September 5, 2009.

In a 2009 interview with Rotten Tomatoes, Scott named the following five films as his favorites of all time.

The show was canceled after one season due to low ratings, concluding its run in August 2010.

Scott is a professor of film criticism at Wesleyan University.

As of 2023, he is no longer listed as being on the faculty at Wesleyan.

Scott is married to Justine Henning, and they have two children.

Scott was a finalist for the 2010 Pulitzer Prize for Criticism "for his incisive film reviews that, with aplomb, embrace a wide spectrum of movies and often explore their connection to larger issues in society or the arts".

Better Living Through Criticism, a book on art criticism by Scott, was published in 2016.

Scott left his role as a film critic in March 2023 and joined The New York Times Book Review.

About his departure from film criticism, he said: "I have found that the way that I’ve practiced it has gotten harder to do. And also, the feeling of disconnection between the critic and the audience feels much stronger And the gulf feels much wider."

On March 9, 2020, The New York Times announced that Scott would take a one-year break from his role as co-chief film critic and assume the title of critic at large, writing "bigger, cross-topic essays."